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The Artist's Hand

MacDonald, Juliet (2016) The Artist's Hand. TRACEY. ISSN 1742-3570

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Abstract

This article is a discussion of gestures and marks as signs of the presence of the artist in drawing. Although I write as a practitioner, I do not address my own practice directly. I start with a consideration of art historical writing. An example by Huyghe (1962) positions ‘the artist’s hand’ as a conduit for the expression of the individual’s inner essence. I briefly trace how such ideas have been subject to critique in the drawing practices of artists since the 1960s, with reference to commentators such as Rose (1976, 1992). While notions of authenticity and authorship have been challenged, and the figure of the hand has been displaced to some extent, I note that within contemporary art practice, the performance of drawing is still read as a declaration of an artist’s presence. However, rather than see the mark as the outcome of pure artistic intention, a more performative account, calling on the theories of Butler (1993), would recast the gesture of drawing as constituting an artistic subjectivity in the act itself. In drawing, histories come together such that the artist appears ‘in the moment’ as the figure of the work.

Item Type: Article
Uncontrolled Keywords: Drawing hand manual subjectivity
Subjects: N Fine Arts > N Visual arts (General) For photography, see TR
N Fine Arts > NC Drawing Design Illustration
N Fine Arts > NX Arts in general
Schools: School of Art, Design and Architecture
School of Art, Design and Architecture > Creative Interdisciplinary Research Centre
Related URLs:
Depositing User: Juliet Macdonald
Date Deposited: 10 Jan 2017 15:18
Last Modified: 12 Jan 2017 10:28
URI: http://eprints.hud.ac.uk/id/eprint/30178

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