Jan, Steven (2016) Understood at Last?: A Memetic Analysis of Beethoven’s ‘Bloody Fist’. In: Lecture Notes in Computer Science. 11th International Symposium, CMMR 2015, 9617 . Springer, Plymouth, UK, pp. 420-437. ISBN 978-3-319-46281-3
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Abstract
As a singular moment in the western canon, the opening of the recapitulation in the first movement of Beethoven’s Ninth Symphony has prompted a variety of structural and expressive readings. This paper explores its intertextual connections with Mozart’s Don Giovanni from a memetic perspective, outlining certain extra musical interpretations, including some related to Susan McClary’s controversial reading of the passage, one might infer from the strong musical connections.
Item Type: | Book Chapter |
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Subjects: | M Music and Books on Music > M Music |
Schools: | School of Music, Humanities and Media |
Related URLs: | |
Depositing User: | Sara Taylor |
Date Deposited: | 15 Nov 2016 10:19 |
Last Modified: | 28 Aug 2021 16:34 |
URI: | http://eprints.hud.ac.uk/id/eprint/30158 |
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‘Understood at Last’?: A Memetic Analysis of Beethoven’s ‘Bloody Fist’. (deposited 07 Jul 2015 12:58)
- Understood at Last?: A Memetic Analysis of Beethoven’s ‘Bloody Fist’. (deposited 15 Nov 2016 10:19) [Currently Displayed]
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