Richardson, Craig (2015) England “Ghosts” British Art – a frieze. The Drouth (50). pp. 50-67. ISSN 1474-6190
![]() |
PDF
- Accepted Version
Restricted to Repository staff only Download (106kB) |
Abstract
Britishness conveyed through visual art suggests both a spectrum of alliance and an assumption of complicity (with Britishness), which is increasingly untenable in the context of regional political devolution. Untenable because in the field of contemporary British culture means there is always a dominant regional inflection; regional and inter-regional identities often prevail over the national. For many the term Britishness increasingly means not Greatness but Englishness. This essay discusses this through a range of postwar and contemporary exhibitions, critical overviews, characterizations and related political discourse, and visual art practices that develop and contribute to the idea of an explicitly contemporary English Art.
Item Type: | Article |
---|---|
Subjects: | N Fine Arts > N Visual arts (General) For photography, see TR |
Schools: | School of Art, Design and Architecture |
Depositing User: | Craig Richardson |
Date Deposited: | 03 Aug 2015 09:18 |
Last Modified: | 28 Aug 2021 17:58 |
URI: | http://eprints.hud.ac.uk/id/eprint/25346 |
Downloads
Downloads per month over past year
Repository Staff Only: item control page
![]() |
View Item |