Figures of the Neutral: Intensities and Suspensions Within Art Practice

Baraklianou, Stella (2012) Figures of the Neutral: Intensities and Suspensions Within Art Practice. In: Invited seminar paper, 2 February 2012, Manchester Metropolitan University. (Unpublished)

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Abstract

Roland Barthes’ last series of lectures, published in English under the title of “The Neutral” are like a set of impossible exercises: to resist the importance of meaning, of signification. At the heart of this attempt lies the desire for a neither/or, a philosophy of ninisme (neither-norism). By looking at examples from a wide range of art practices, as well as by exploring the motives of my own photographic practice, I will attempt to posit the “figures” as a working methodology.

Item Type:	Conference or Workshop Item (Public Lecture)
Subjects:	B Philosophy. Psychology. Religion > B Philosophy (General) N Fine Arts > N Visual arts (General) For photography, see TR
Schools:	School of Art, Design and Architecture > Creative Interdisciplinary Research Centre
Depositing User:	Catriona Mcara
Date Deposited:	20 Feb 2013 11:27
Last Modified:	28 Aug 2021 11:26
URI:	http://eprints.hud.ac.uk/id/eprint/16818

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