Baraklianou, Stella (2012) Figures of the Neutral: Intensities and Suspensions Within Art Practice. In: Invited seminar paper, 2 February 2012, Manchester Metropolitan University. (Unpublished)
Metadata only available from this repository.Abstract
Roland Barthes’ last series of lectures, published in English under the title of “The Neutral” are like a set of impossible exercises: to resist the importance of meaning, of signification. At the heart of this attempt lies the desire for a neither/or, a philosophy of ninisme (neither-norism). By looking at examples from a wide range of art practices, as well as by exploring the motives of my own photographic practice, I will attempt to posit the “figures” as a working methodology.
Item Type: | Conference or Workshop Item (Public Lecture) |
---|---|
Subjects: | B Philosophy. Psychology. Religion > B Philosophy (General) N Fine Arts > N Visual arts (General) For photography, see TR |
Schools: | School of Art, Design and Architecture > Creative Interdisciplinary Research Centre |
Depositing User: | Catriona Mcara |
Date Deposited: | 20 Feb 2013 11:27 |
Last Modified: | 28 Aug 2021 11:26 |
URI: | http://eprints.hud.ac.uk/id/eprint/16818 |
Downloads
Downloads per month over past year
Repository Staff Only: item control page
![]() |
View Item |