Einbond, Aaron (2012) Sound Studies Lecture No. 35. In: Sound Studies Lecture No. 35, 12 November 2012, Universität der Künste, Berlin.
Abstract

Montag - 12. November 2012 - 19:00 Uhr

Aaron Einbond
aus New York stellt seine Arbeiten vor

Aaron Einbond's work explores the intersection of composition, computer music, music perception, field recording, and sound installation, combining the spontaneity of live performance with technological interactivity to impact and challenge the listener with new modes of perception.

His work has been performed in the U.S., Europe, and Asia by groups including Ensembles Recherche, Dal Niente, Cairn, Eco,
Yarn/Wire, L'Instant Donné, L'Itinéraire, Mosaik, Empyrean, SurPlus, Left Coast, and Antonio Politano.

He was born in New York and has studied at Harvard, the University of Cambridge, the University of California Berkeley, and IRCAM in Paris where his teachers included Mario Davidovsky, Julian Anderson, Edmund Campion, and Philippe Leroux. In 2008 he participated in the European Course for Music Composition and Technologies in Berlin including seminars by Martin Supper, Wolfgang Heiniger, Kirsten Reese, and Folkmar Hein.
From 2009-2011 he was Mellon Postdoctoral Fellow in Music at Columbia University and he is currently Research Fellow at the University of Huddersfield. Upcoming projects include a Giga-Herz Prize from ZKM to produce a new work for piano, percussion, and electronics at the SWR Experimentalstudio in Freiburg, and a Franz Liszt Prize for a sound installation in Weimar in celebration of John Cage's hundredth birthday.
http://aaroneinbond.wordpress.com/

Was sind Sound Studies Lectures?
Die öffentlichen Sound Studies Lectures geben einen Einblick in die künstlerischen, wissenschaftlichen, gestalterischen und konzeptuellen Fragestellungen des postgradualen Masterstudiengangs Sound Studies.

Der Studiengang Sound Studies verfolgt die Idee eines fachübergreifenden und damit fächerverbindenden Studiums des Klangs. Ein Studium jenseits eines Musikstudiums, das aber dennoch die Musik nicht ausschließt, ist neu und einzigartig. Der Begriff Sound Studies ist angelehnt an den mittlerweile etablierten Terminus Cultural Studies: http://www.udk-berlin.de/soundstudies

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