Issues of live-ness in fragile.flicker.fragment

Adkins, Monty (2012) Issues of live-ness in fragile.flicker.fragment. Journal of Music, Technology and Education, 5 (1). pp. 5-16. ISSN 17527066

PDF - Accepted Version Download (109kB)

Abstract

This article is concerned with issues of perceived live-ness in fragile.flicker.fragment (2010), an electroacoustic suite in nine movements composed by the author. The role and recording of instrumental sounds is discussed with reference to Bridger's metaphoric/metonymic perception of sounds in electroacoustic music and Dellaira's three modes of recording. The final section situates our perception of the composition within an understanding of Richard Allen's notion of cinematic projective illusion.

Item Type:	Article
Uncontrolled Keywords:	live-ness, recording, authenticity, perception, electronic composition
Subjects:	M Music and Books on Music > ML Literature of music
Schools:	School of Music, Humanities and Media School of Music, Humanities and Media > CeReNeM
Related URLs:	Author
Depositing User:	Graham Stone
Date Deposited:	02 Aug 2012 09:58
Last Modified:	01 Dec 2016 00:42
URI:	http://eprints.hud.ac.uk/id/eprint/14435

Downloads

Repository Staff Only: item control page

View Item