Abstract
The exhibition To Live presented sixty stories by sixty-eight photographers, and it also included screenings of Godfrey Reggio’s films.
The number sixty is crucial, as the exhibition has been organised in the year marking the 60th anniversary of the end of World War II and of the foundation of United Nations. In this context the subject »to live« has been conceived as an attempt to present different aspects of life through artistic language. The leading medium of expression has been photographs, spiced by artefacts: artists’ books and diaries as signs of real life. The two media (photography and artefact) are interconnected by the continuity of time.
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