Thomas, Philip (2007) Determining the indeterminate. Contemporary Music Review, 26 (2). pp. 129-140. ISSN 0749-4467Metadata only available from this repository.
Taking classic works of the American experimental movement as the primary focus for discussion, this article examines the nature of interpretative decisions both before and during a performance. The issues which inform a performer's decisions as to when, how, and what to play are placed within the context both of what is known of the composer's intentions and of the performing traditions which have subsequently developed.
|Additional Information:||UoA 67 (Music)|
|Subjects:||M Music and Books on Music > ML Literature of music|
|Schools:||School of Music, Humanities and Media|
School of Music, Humanities and Media > CeReNeM
|Depositing User:||Graham Stone|
|Date Deposited:||07 Jul 2008 09:10|
|Last Modified:||18 Nov 2014 11:36|
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