Adkins, Monty (2007) Schaeffer est mort! Long live Schaeffer! In: EMS07 - Electroacoustic Music Studies, 12-15 June 2007, De Montfort University, Leicester, UK.
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This paper examines two groups of composers and discusses the commonality in their approach to using concrete sound materials and rhythm in their works. As a result of this commonality an examination of the ways in which these composers have expanded the electroacoustic language through the hybridisation of electronica and musique concrete techniques is undertaken. It will then be demonstrated how these works, whilst pushing at the boundaries of electroacoustic music can nevertheless be discussed and analysed with reference to Emmerson’s language grid as originally proposed in The Relation of Language to Materials (1986: 17-39). It will be demonstrated how, with the advent of the sampler and proliferation of works utilizing concrete materials, Emmerson’s language grid can be used as the basis for a wider discussion of electronic works.
|Item Type:||Conference or Workshop Item (Paper)|
|Additional Information:||Conference Theme: The ‘languages’ of electroacoustic music|
|Subjects:||M Music and Books on Music > M Music|
|Schools:||School of Music, Humanities and Media|
School of Music, Humanities and Media > CeReNeM
|Depositing User:||Graham Stone|
|Date Deposited:||26 Jun 2008 16:43|
|Last Modified:||18 Nov 2014 10:20|
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