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Massey, Ian (2009) Against the neutrality of form: the work of Mørten Lobner Espersen. Ceramics Art and Perception (75). pp. 69-73. ISSN 1035-1841
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Abstract
Morten Lobner Espersen makes vessels, many of them cylindrical; a form he describes as "the simplest of shapes ... harmonious, precise and neutral". In 2000 he mounted his first show of cylindrical vessels in Stockholm and five years later, while continuing to experiment with various other forms, decided to concentrate predominantly on the mute simplicity of the cylinder. Within this self-imposed limitation, Espersen has forged a large vocabulary from the proportional relationships between opening and height. At one end of the scale are circular bases with walls only marginally higher than those of a lily pad--at the other are slender tubes over 50 centimetres high
| Item Type: | Article |
|---|---|
| Additional Information: | A journal article about the work of the internationally renowned Danish ceramicist Morten Lobner Espersen - his work can be seen at www.espersen.nu |
| Subjects: | N Fine Arts > ND Painting N Fine Arts > NK Decorative arts Applied arts Decoration and ornament T Technology > TT Handicrafts Arts and crafts |
| Schools: | School of Art, Design and Architecture |
| Related URLs: | |
| Depositing User: | Ian Massey |
| Date Deposited: | 19 Oct 2010 14:03 |
| Last Modified: | 19 Oct 2010 14:03 |
| URI: | http://eprints.hud.ac.uk/id/eprint/8773 |
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