Williams, Nicholas Allan (2009) Strategies of postminimalism in my recent music. Doctoral thesis, University of Huddersfield.
- Accepted Version
Available under License Creative Commons Attribution Non-commercial No Derivatives.
- Supplemental Material
Restricted to Repository staff only
This commentary will consider how I have developed and applied a number of compositional techniques, particularly in the area of rhythm and pulse, which I situate in relationship to postminimalism. In chapter 1 I contextualise my
music by considering some manifestations of postminimalism, give the background to the development of my present aesthetic approach, and look at some definitions of postminimalism in order to clarify my own position in relation to both American and European (primarily Dutch) postminimal composition. In chapter 2 I examine the main aspects of my musical language, focussing on technical considerations in relation to the wider aesthetic context. In chapter 3, I will demonstrate how specific techniques, particularly rhythmic and permutational techniques, are applied in particular compositions, and how these techniques have developed over the last four years. Additionally, I consider how my work is informed by a social/political awareness, and how this has informed my choice of particular compositional
|Item Type:||Thesis (Doctoral)|
|Subjects:||M Music and Books on Music > M Music|
|Schools:||School of Music, Humanities and Media|
|Depositing User:||Graham Stone|
|Date Deposited:||28 Apr 2010 10:49|
|Last Modified:||10 Oct 2016 16:07|
Downloads per month over past year
Repository Staff Only: item control page