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Adkins, Monty (1999) Acoustic Chains in Acousmatic Music. In: Imaginary Space: Proceedings of the 1999 Australasian Computer Music Conference. University of Wellington, Wellington, New Zealand.
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Abstract
The notion of ‘acoustic chains’ will be posited. It will be argued that ‘acoustic chains’ link certain acousmatic works at what Denis Smalley terms the ‘indicative listening mode’ through their common ‘affordances’ - a term originally used by James Gibson to interpret visual culture and adapted by Luke Windsor to acousmatic music. It will be contended that the listener to an acousmatic work, when presented with a sounding object, perceives its affordance in relation to previous works before considering what the sounding object affords within the internal structure of the work.
| Item Type: | Book Chapter |
|---|---|
| Additional Information: | This paper was first presented at the Australasian Computer Music Conference held at the University of Victoria, New Zealand in July 1999 |
| Subjects: | M Music and Books on Music > ML Literature of music |
| Schools: | School of Music, Humanities and Media |
| Related URLs: | |
| Depositing User: | Graham Stone |
| Date Deposited: | 12 May 2009 10:43 |
| Last Modified: | 02 Aug 2012 09:12 |
| URI: | http://eprints.hud.ac.uk/id/eprint/4273 |
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