Redmore, Nicola (2015) Open to change: slowing down to explore and innovate. In: FTC Futurescan 3: Intersecting Identities, 11-12 November 2015, The Glasgow School of Art. (Unpublished)
- Accepted Version
Download (812kB) | Preview
- Accepted Version
Restricted to Repository staff only
A specific type of knowing comes from the handling of materials in the handcrafting of an artifact. This research looks at the relationship between the handcraft of weaving, and the decision-making process and knowledge of the textile designer. It investigates the potential for new design opportunities to be opened up for the commercial designer by moving out of the studio and back into the workshop environment. As an educator, manager and formerly a designer trained in textile design, this research explores an established industrial production method of weaving but revisited using a craft-like approach.
Slowing down the creative process to engage with the materials themselves, this paper starts to explore the potential of hand woven leno structures to be used within the landscape and to explore the process of change in response to environmental factors. Architect Philip Beesleys’ work seeks to achieve a balance with nature, submitting itself to the natural cycles and inevitable decay, in which he deliberately designs mesh structures with weak and fragile links, whose materials soak up environmental forces. This paper starts to further explore the value of haptic intelligence and empathy for materials, also adopted by Beesley in his Haystack Veil (1997) and later Holozoic series. The process of creating leno structures on a handloom, has resulted in outcomes difficult to predict using digital software, confirming weaving as an emergent system (Philpott, 2011), where disparate threads are combined into dynamic structures.
There is a delicate relationship between textiles and the landscape, in response to which the designer of performance fabrics is required to create, indestructible solutions, with a lifetime guarantee. By embracing the science of uncertainty, fresh ideas and new solutions have the potential to be created.
|Item Type:||Conference or Workshop Item (Paper)|
|Uncontrolled Keywords:||Landscape Geotextiles Design Practice-led Weave|
|Subjects:||N Fine Arts > NK Decorative arts Applied arts Decoration and ornament
T Technology > TT Handicrafts Arts and crafts
|Schools:||School of Art, Design and Architecture
School of Art, Design and Architecture > Textile thinking
Beesley, P. (2014). Philip Beesley Architect Inc. [Internet] http://www.philipbeesleyarchitect.com/ [Accessed 22/06/2014]
Collet, C. (2008) Nobel Textiles: Suicidal Textiles. [Internet] http://www.nobeltextiles.co.uk/Carole_Collet/nobel_textiles_.html [Accessed 12/03/2012]
Gayatri Rangachari, S (2012) New Indian Art Star Evokes Space With Sculptures. [Internet] http://www.nytimes.com/2012/10/11/arts/11iht-rartbhuta11.html?pagewanted=all&_r=1 [Accessed 11/12/2014]
Garcia, M. (2006) Impending Landscapes of the Architexile City, an interview with Dominique Perrault. Architextiles. London: Wiley-Academy.
Hemmings, J. (2012) Warp & weft: Woven textiles in fashion, art and interiors. London: Bloomsbury.
Hodder, I. (2014) The entanglements of humans and things: A long-term view. New Literary History, 45(1), 19-36. doi:10.1353/nlh.2014.0005
Igoe, E. (2010) The tacit-turn: textile design in design research. Duck Journal for Research in Textiles and Textile Design, 1 pp1-11 [Internet] http://www.lboro.ac.uk/microsites/sota/duck/1.%20The%20Tacit-Turn%20-%20Elaine%20Igoe.pdf [Accessed 5/04/2013]
Ingold, T. (2010) Transformations of the line: Traces, threads, and surfaces. Textile: The Journal of Cloth and Culture, 8(1), 10-35. doi:10.2752/175183510X12580391270100
Kwon, ES. & Fraiser-Scott, K. (2012) Walk, Feel, Think, and Make: Creative Design Learning with Nature IN: Proceedings of the Design Research Society Conference (DRS 2012)- Re:Search: uncertainty, contradiction and value, Chulalongkorn University, Bangkok, Thailand, 1 - 5 July 2012, 16 pp.
Lawson, B. (2005) How Designers Think: The Design Process Demystified (4th ed.). London: Routledge.
Martin, B. & Hannington, B. (2012) Universal Methods of Design. Rockport Publishers, MA, USA
M’CLoskey, K & VanDerSys, K (2011) Edaphic Effects. Self-initiated research exploring customized geo-cells. [Internet] http://worldlandscapearchitect.com/edaphic-effects-philadelphia-usa-peg/ [Accessed 15/01/2015]
Rust, C., Mottram, J. & Till, J. (2007) Review Report: Practice-led Research in Art, Design and Architecture. Arts and Humanities Research Council, Bristol
Seelig, W. (2005) Thinking aloud: Contemporary Fiber, Material Meaning. American Craft, 65(4), 42-45
Spuybroek, L. (2009) The architecture of variation: Research & design. London: Thames & Hudson.
Strauss, C.L. (1986) Nonino Prize Speech
List of figures
Figure 1. Redmore, N. (2014) Design development board [mixed materials].
Figure 2. Redmore, N. (2014) Weaving on the loom.
Figure 3. Redmore, N. (2013) Cobweb Mesh (detail).
Figure 4. Redmore, N. (2015) Leno structure detail [monofilament, wire, polypropylene].
Figure 5. Redmore, N. (2014) Leno woven mesh in landscape [monofilament, viscose, wool]
Figure 6. Redmore, N. (2015) Mesh detail [monofilament, viscose, wool].
|Depositing User:||Nicola Redmore|
|Date Deposited:||22 Feb 2016 15:57|
|Last Modified:||23 Mar 2016 17:40|
Downloads per month over past year
Repository Staff Only: item control page