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The Inception, Theory, Practice and Affective Potential of Data Art

Edmunds, Richard (2015) The Inception, Theory, Practice and Affective Potential of Data Art. Masters thesis, University of Huddersfield.

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Item Type: Thesis (Masters)
Subjects: N Fine Arts > N Visual arts (General) For photography, see TR
N Fine Arts > NB Sculpture
Schools: School of Art, Design and Architecture
Depositing User: Elizabeth Boulton
Date Deposited: 08 Feb 2016 09:41
Last Modified: 03 Dec 2016 17:45
URI: http://eprints.hud.ac.uk/id/eprint/27136

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