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An investigation into the efficacy of methods commonly employed by mix engineers to reduce frequency masking in the mixing of multitrack musical recordings

Wakefield, Jonathan P. and Dewey, Christopher (2015) An investigation into the efficacy of methods commonly employed by mix engineers to reduce frequency masking in the mixing of multitrack musical recordings. In: 138th International AES Convention, 7th - 10th May 2015, Warsaw, Poland. (Unpublished)

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Abstract

Studio engineers use a variety of techniques to reduce frequency masking between instruments when mixing multi-track musical recordings. This study evaluates the efficacy of three techniques, namely mirrored equalization, frequency spectrum sharing and stereo panning, against their variations to confirm the veracity of accepted practice. Mirrored equalisation involves boosting one instrument and cutting the other at the same frequency. Frequency spectrum sharing involves low pass filtering one instrument and high pass filtering the other. Panning involves placing two competing instruments at different pan positions. Test subjects used eight tools comprising a single unlabeled slider to reduce frequency masking in several two instrument scenarios. Satisfaction values were recorded. Results indicate subjects preferred using tools that panned both audio tracks.

Item Type: Conference or Workshop Item (Poster)
Subjects: T Technology > T Technology (General)
T Technology > TA Engineering (General). Civil engineering (General)
Schools: School of Computing and Engineering > Music Technology and Production Research Group
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Depositing User: Christopher Dewey
Date Deposited: 06 Oct 2015 08:24
Last Modified: 13 Nov 2015 17:13
URI: http://eprints.hud.ac.uk/id/eprint/25979

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