Jan, Steven (2015) ‘Understood at Last’?: A Memetic Analysis of Beethoven’s ‘Bloody Fist’. In: 11th International Symposium on Computer Music Multidisciplinary Research (CMMR 2015): Music, Mind, and Embodiment, 16th - 19th June 2015, Plymouth, UK.
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As a singular moment in the western canon, the opening of the recapitulation in the first movement of Beethoven’s Ninth Symphony has prompted a variety of structural and expressive readings. This paper explores its intertextual connections with Mozart’s Don Giovanni from a memetic perspective, outlining certain extra musical interpretations, including some related to Susan McClary’s controversial reading of the passage, one might infer from the strong musical connections.
|Item Type:||Conference or Workshop Item (Paper)|
|Subjects:||M Music and Books on Music > M Music|
|Schools:||School of Music, Humanities and Media|
|Depositing User:||Cherry Edmunds|
|Date Deposited:||07 Jul 2015 12:58|
|Last Modified:||09 Nov 2015 20:51|
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