Abstract
Perspectives on Gerhard expands several papers given at the 2nd and 3rd International Roberto Gerhard Conferences in 2012 and 2013. The book focuses on two aspects of Gerhard. Firstly, the pre-1939 period in which he was a student of Schoenberg and then, on returning to Catalonia, began to establish a reputation as a composer. Secondly, and more generally on the composer's stylistic and aesthetic evolution. This latter focus includes both Gerhard's approach to serialism both harmonically and melodically as well as the pivotal role the USA was to play in his later life. The book concludes with two personal reminiscences given at the conferences by Ferran Gerhard and Mariona Agustí Badia.
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