Enmeshed 3, for cello and live electronics, is the third in a series of works in which a solo instrument becomes ‘enmeshed’ in multiple layers of transformations derived from the live performance. The works are shaped and structured in terms of the varying relationships between these layers and the ‘distances’ between the original acoustic performance and the various transformations, in terms of pitch, time delay, timbre, texture and space. At certain points in the work these almost converge whilst at other times large distances open up, with the different layers in a wild counterpoint. All the sounds in the work derive from live transformation of the soloist's performance. The composer’s own granular synthesis algorithms play a significant role in these transformations.
|Schools:||School of Music, Humanities and Media|
School of Music, Humanities and Media > CeReNeM
|Deposited By:||INVALID USER|
|Deposited On:||27 Oct 2014 17:42|
|Last Modified:||18 Nov 2014 12:34|
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