Milsom, David and Da Costa, Neal Peres (2014) Expressiveness in historical perspective : nineteenth-century ideals and practices. In: Expressiveness in music performance: Empirical approaches across styles and cultures. Oxford University Press, pp. 80-97. ISBN 978-0199659647Metadata only available from this repository.
Consideration of modes of expressivity as examined by music psychologists has tended, in the past, to relate almost exclusively to traits of style embodied by ‘mainstream’ performers trained from the second half of the twentieth century up to the present day. In this chapter, the authors attempt to relate key themes embodied in expressiveness in the nineteenth century, as well as discussing how these modes were outworked in practice. The chapter concludes by relating the pioneering work by the authors in ‘reconstructing’ and ‘re-imagining’ nineteenth-century expressiveness in their experiences of historically-informed performances.
|Item Type:||Book Chapter|
|Subjects:||M Music and Books on Music > M Music
M Music and Books on Music > MT Musical instruction and study
|Schools:||School of Music, Humanities and Media|
|Depositing User:||Sharon Beastall|
|Date Deposited:||22 Oct 2014 08:53|
|Last Modified:||22 Oct 2014 08:53|
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