Search:
Computing and Library Services - delivering an inspiring information environment

Giving birth to 'a third world as work in common and space-time to be shared'. The importance of Luce Irigaray and Judith Butler to staging Sarah Kane's Cleansed (1998).

Kane, Nina R. (2014) Giving birth to 'a third world as work in common and space-time to be shared'. The importance of Luce Irigaray and Judith Butler to staging Sarah Kane's Cleansed (1998). In: Theatre, Performance, Philosophy: Crossings and Transfers in Contemporary Anglo-American Thought, 26 - 28 June 2014, Universite Paris-Sorbonne IV, France. (Submitted)

[img] PDF - Accepted Version
Download (201kB)
[img] Microsoft Word - Accepted Version
Restricted to Repository staff only

Download (82kB)

Abstract

Please note: an audio recording of this paper can also be downloaded from the repository.http://eprints.hud.ac.uk/21038/

The paper draws on dramaturgical enquiry into Sarah Kane's 1998 play Cleansed, carried out in a university studio space and a public gallery setting. The enquiry applied the philosophies of Luce Irigaray and Judith Butler, positing Cleansed as a theatrical meditation on gender - one that requires actors to develop an ethics for the performing of sex, desire and violence. The research found that Irigaray's and Butler's ideas can be usefully applied to explore and contest binary constructions of gender, and provide vital philosophical frameworks for staging sexuate difference and transgender becoming in Kane's text. Cleansed centres its trajectory on an investigation of clothing and bodies which implicates and indicates the gender binary as a site of contestation, violence, desire, making, unmaking, resistance and mucosity. It encodes significant lesbian aesthetics of butch-femme play and languour in its performance structure. Its focus on sexuate difference, 'one of the major philosophical issues, if not the issue of our age' (Irigaray), and its movement between genders is supported with dramatisations of touch and breath at key gestic moments. The paper discusses how actors chose to stage these moments, analysing the choices made with reference to The Forgetting of Air, Sexes and Genealogies, The Marine Lover of Friedrich Nietzsche, and This Sex Which Is Not One (Irigaray). It discusses the nature of speech and desire - particularly female and lesbian desire - and the denial or erasure of this, with reference to Antigone's Claim (Butler). It reflects on the aesthetics of female and queer authorship at the Greenham Common Women's Peace Camp, and the traces of this historical moment in Cleansed. Finally, it contextualises Kane's representations of gender violence with reference to Frames of War (Butler) and notes how philosophical discussions of time and irreducible difference can assist inter-generational dialogue in the rehearsal room.

Item Type: Conference or Workshop Item (Paper)
Subjects: N Fine Arts > NX Arts in general
Schools: School of Music, Humanities and Media
Related URLs:
Depositing User: Nina Kane
Date Deposited: 10 Jul 2014 14:42
Last Modified: 02 Dec 2016 04:22
URI: http://eprints.hud.ac.uk/id/eprint/21136

Downloads

Downloads per month over past year

Repository Staff Only: item control page

View Item View Item

University of Huddersfield, Queensgate, Huddersfield, HD1 3DH Copyright and Disclaimer All rights reserved ©