Abstract
his paper considers the authors' audiovisual work Geometries of Flight as an example of nodal practice as proposed by Philip Gochenour. The paper outlines Gochenour's concept and situates the 'remix'and the 'mashup'within this model. The paper interrogates various models of thought concurrent with Gochenour's to question the nature of the 'remix', appropriation, and originality in creative practice.
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