Fawcus, Jamie (2012) Resonant Spaces: Electroacoustic Music and Ritual: A commentary on my recent music. Doctoral thesis, University of Huddersfield.
- Accepted Version
Available under License Creative Commons Attribution Non-commercial No Derivatives.
The following portfolio and commentary concerns music and performance works created between 2008 and 2012, and an exposition of the research, ideas, aesthetics and techniques that connect
these works. I will discuss in detail the role that archaeoacoustics has played in my composition of fixed and mixed media works and how it has influenced me aesthetically in my approach to live performance. I will also explain in each instance any actual data used from various research sources, and my metaphorical interpretation of various archaeological sites and acoustic phenomena. Similarly, I will discuss the concepts of shamanism, ritual and transcendence that have influenced me, and how these concepts are expressed in my instrumental works, fixed media and live performance pieces.
|Item Type:||Thesis (Doctoral)|
|Subjects:||M Music and Books on Music > M Music|
|Schools:||School of Music, Humanities and Media|
|Depositing User:||Gail Hurst|
|Date Deposited:||06 Aug 2013 15:34|
|Last Modified:||06 Dec 2016 06:15|
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