Baraklianou, Stella (2012) Figures of the Neutral: Intensities and Suspensions Within Art Practice. In: Invited seminar paper, 2 February 2012, Manchester Metropolitan University. (Unpublished)Metadata only available from this repository.
Roland Barthes’ last series of lectures, published in English under the title of “The Neutral” are like a set of impossible exercises: to resist the importance of meaning, of signification. At the heart of this attempt lies the desire for a neither/or, a philosophy of ninisme (neither-norism). By looking at examples from a wide range of art practices, as well as by exploring the motives of my own photographic practice, I will attempt to posit the “figures” as a working methodology.
|Item Type:||Conference or Workshop Item (Public Lecture)|
|Subjects:||B Philosophy. Psychology. Religion > B Philosophy (General)
N Fine Arts > N Visual arts (General) For photography, see TR
|Schools:||School of Art, Design and Architecture > Creative Interdisciplinary Research Centre|
|Depositing User:||Catriona Mcara|
|Date Deposited:||20 Feb 2013 11:27|
|Last Modified:||14 Mar 2013 14:25|
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