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d’Escriván, Julio (2009) Sound Art (?) on/in Film. Organised Sound, 14 (1). pp. 65-73. ISSN 1355-7718
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Official URL: http://dx.doi.org/10.1017/S1355771809000090
Abstract
The use of sound for representation and narrative may go beyond what we might conventionally term musical. Film has gradually brought into focus the practice of sound art as something distinct from music yet existing at the end of a unified continuum between abstraction and representation. Music has gradually been subsumed into the soundtrack as another element of the film sound world, and sound design is often on an equal footing with it. Sound designers are now increasingly exploring the more psychological (as opposed to merely representational) dimensions of sound.
| Item Type: | Article |
|---|---|
| Subjects: | M Music and Books on Music > ML Literature of music N Fine Arts > N Visual arts (General) For photography, see TR N Fine Arts > NX Arts in general |
| Schools: | School of Music, Humanities and Media |
| Related URLs: | |
| Depositing User: | Julio D'Escrivan Rincon |
| Date Deposited: | 01 Oct 2012 15:30 |
| Last Modified: | 02 Oct 2012 09:16 |
| URI: | http://eprints.hud.ac.uk/id/eprint/15219 |
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