Rowley , Alison (2007) Book Review: Fantastic Reality: Louise Bourgeois: A Story of Modern Art, by Mignon Nixon. Papers of Surrealism: The Journal of the AHRC Centre for Surrealism and its Legacies, 5. pp. 1-7. ISSN 1750-1954
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Abstract
The first image in Mignon Nixon’s new study of Louise Bourgeois is a photograph of the artist taken in
1947 in a New York apartment. She is kneeling on the floor in a gesture of mock homage to Joan Miró
who is enthroned in an armchair and cloaked in a painted robe with each bare foot resting on a pile of
books about Picasso. A note tells us that the photograph was originally published in Artforum on the
occasion of the 1994 Miró retrospective at the Museum of Modern Art, New York. The re-publication
of the photograph, this time at the beginning of an art historical monograph devoted to the work of
Louise Bourgeois, provides a neat visual condensation of the framework that structures this study of
her practice: surrealism, psychoanalysis and feminism.
| Item Type: | Article |
|---|---|
| Subjects: | N Fine Arts > NB Sculpture |
| Schools: | School of Art, Design and Architecture School of Art, Design and Architecture > Creative Interdisciplinary Research Centre |
| Related URLs: | |
| Depositing User: | Alison Rowley |
| Date Deposited: | 08 Mar 2012 09:50 |
| Last Modified: | 13 Mar 2012 08:56 |
| URI: | http://eprints.hud.ac.uk/id/eprint/12967 |
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