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Hand crafted bespoke tailoring

Almond, Kevin (2011) Hand crafted bespoke tailoring. In: Textiles Research in Process, 16th - 17th November 2011, Loughborough University.

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          Abstract

          This article investigates the conflict between hand crafted bespoke tailoring and computerised mass market tailoring in the UK, in order to assess the overall place for this traditional technique within fashion design. It supports a need for retaining the heritage of traditional skills practiced in bespoke tailoring and justifies this as a luxury the consumer can and should afford. The research emphasises the pedagogic approach to the delivery and understanding of tailoring technology in the fashion design courses at University of Huddersfield. This understanding underpins the student’s perception of pattern cutting, fit, sizing, proportion and an overall approach to making clothes. Fashion tutors at Huddersfield believe that when students’ are taught to appreciate the luxury, heritage and skill of bespoke tailoring, it equips them with the confidence and expertise to create any type of garment.
          The luxury of the traditional tailoring process is the time, craft and experience instilled into each garment and bespoke tailoring as a fashionable look had a revived popularity in the late 1990’s and 2000’s.

          Many fashion designers such as Vivienne Westwood and Alexander McQueen pushed the look of tailoring and the craft traditions of bespoke to the forefront of directional fashion, which in turn provoked a resurgence of interest in the craft. In an interview in English Vogue, Vivienne Westwood said:
          “I don’t understand this desperate need to always move forward. To strive for the new is the most conformist thing you can do. Everyone can tell you about what is new and clever, but no-one can tell you what is good! There is a myth that the past is irrelevant, that progress is the only thing” (Holgate, 1998).
          The article analyses if and how the bespoke industry has incorporated new and computerised technology and in so doing considers how the fashion industry could determine the future of tailoring either through fashion’s emphasis on it as a look, or in the vast advances in technological development that could enhance it, in order to make bespoke more widely available.

          Item Type: Conference or Workshop Item (Paper)
          Subjects: N Fine Arts > NK Decorative arts Applied arts Decoration and ornament
          Schools: School of Art, Design and Architecture
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          Depositing User: Kevin Almond
          Date Deposited: 24 Nov 2011 16:27
          Last Modified: 24 Nov 2011 16:27
          URI: http://eprints.hud.ac.uk/id/eprint/11980

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