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"Blind Date": Tanning’s Surrealist Anti-tale

McAra, Catriona (2011) "Blind Date": Tanning’s Surrealist Anti-tale. In: Anti-Tales: The Uses of Disenchantment. Cambridge Scholars Publishing, Newcastle upon Tyne, pp. 100-114. ISBN 978-1-4438-2869-7

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Abstract

The anti-(fairy) tale has long existed in the shadow of the traditional fairy tale as its flipside or evil twin. According to André Jolles in Einfache Formen (1930), such Antimärchen are contemporaneous with some of the earliest known oral variants of familiar tales. While fairy tales are generally characterised by a “spirit of optimism” (Tolkien) the anti-tale offers us no such assurances; for every “happily ever after,” there is a dissenting “they all died horribly.” The anti-tale is, however, rarely an outright opposition to the traditional form itself. Inasmuch as the anti-hero is not a villain, but may possess attributes of the hero, the anti-tale appropriates aspects of the fairy tale form, (and its equivalent genres) and re-imagines, subverts, inverts, deconstructs or satirises elements of these to present an alternate narrative interpretation, outcome or morality. In this collection, Little Red Riding Hood retaliates against the wolf, Cinderella’s stepmother provides her own account of events, and “Snow White” evolves into a postmodern vampire tale. The familiar becomes unfamiliar, revealing the underlying structures, dynamics, fractures and contradictions within the borrowed tales.

Over the last half century, this dissident tradition has become increasingly popular, inspiring numerous writers, artists, musicians and filmmakers. Although anti-tales abound in contemporary art and popular culture, the term has been used sporadically in scholarship without being developed or defined. While it is clear that the aesthetics of postmodernism have provided fertile creative grounds for this tradition, the anti-tale is not just a postmodern phenomenon; rather, the “postmodern fairy tale” is only part of the picture. Broadly interdisciplinary in scope, this collection of twenty-two essays and artwork explores various manifestations of the anti-tale, from the ancient to the modern including romanticism, realism and surrealism along the way.

Item Type: Book Chapter
Additional Information: Reviewed in: The Kelvingrove Review: http://www.gla.ac.uk/media/media_192661_en.pdf Gramarye: The Journal of the Sussex Centre for Folklore, Fairy Tales and Fantasy (Spring 2012) Marvels and Tales: A Journal of Fairy-Tale Studies (Winter 2012).
Subjects: N Fine Arts > NX Arts in general
P Language and Literature > PN Literature (General)
P Language and Literature > PR English literature
Schools: School of Art, Design and Architecture
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Depositing User: Graham Stone
Date Deposited: 16 Nov 2011 13:19
Last Modified: 03 Nov 2012 20:20
URI: http://eprints.hud.ac.uk/id/eprint/11946

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