Elliott, Hilary (2011) Spontaneous Combusion #42. In: Work in Progress sharing PhD by PaR in Dance and Performance, June 14 2011, Centre for Practice-led Research in the Arts and the Choreographic Lab, The University of Northampton. (Unpublished)Metadata only available from this repository.
In this presentation I offer the perspective that solo performance improvisation is both a questioning of and response to the multi-layered circumstances of the immediate performance. The inquiry into what is present - physically and imaginatively investigating its possibilities - involves understandings of 'seeing' (taking on both literal and figurative connotations); the dynamic of 'being seen' by the audience and considerations of connections between what is visible, the act of making visible and the role of an invisible in performance.
|Item Type:||Conference or Workshop Item (Other)|
|Subjects:||N Fine Arts > NX Arts in general
P Language and Literature > PN Literature (General) > PN2000 Dramatic representation. The Theater
|Schools:||School of Music, Humanities and Media
School of Music, Humanities and Media > Centre for Psychophysical Research
School of Music, Humanities and Media > Drama Research Group
|Depositing User:||Hilary Elliott|
|Date Deposited:||23 Jun 2011 13:44|
|Last Modified:||22 Feb 2016 10:45|
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