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Elliott, Hilary (2011) Spontaneous Combusion #42. In: Work in Progress sharing PhD by PaR in Dance and Performance, June 14 2011, Centre for Practice-led Research in the Arts and the Choreographic Lab, The University of Northampton. (Unpublished)
Metadata only available from this repository.Abstract
In this presentation I offer the perspective that solo performance improvisation is both a questioning of and response to the multi-layered circumstances of the immediate performance. The inquiry into what is present - physically and imaginatively investigating its possibilities - involves understandings of 'seeing' (taking on both literal and figurative connotations); the dynamic of 'being seen' by the audience and considerations of connections between what is visible, the act of making visible and the role of an invisible in performance.
| Item Type: | Conference or Workshop Item (Other) |
|---|---|
| Subjects: | N Fine Arts > NX Arts in general P Language and Literature > PN Literature (General) > PN2000 Dramatic representation. The Theater |
| Schools: | School of Music, Humanities and Media |
| Related URLs: | |
| Depositing User: | Hilary Elliott |
| Date Deposited: | 23 Jun 2011 14:44 |
| Last Modified: | 29 Sep 2011 12:12 |
| URI: | http://eprints.hud.ac.uk/id/eprint/10770 |
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